Fall River Children In Balance is a two-year childhood obesity prevention research study funded by Tufts University. Fall River is one of only 6 communities in the country chosen to receive this grant whose target audience is 1st through 3rd grade students and their family adults. CIB is a holistic approach to nutrition and fitness designed to affect younger elementary school students in their classroom settings, during after school programs and at recreational facilities, as well as choices their family adults make when they grocery shop or dine out. Children in Balance works with teachers and UMass Amherst health educators to bring nutrition education directly into classrooms. In addition, because school nutrition is a major component of the grant, CIB is partnering with Fall River school food services to extensively upgrade school menus and the way in which school foods are prepared and presented. Though the long term results of this program will take several years to realize, what these children and their families are learning now will build upon similar messages delivered by the Healthy City Fall River initiative and its many partnering City agencies, ideally resulting in positive, sustainable life style changes.
Angel Band makes big noise. Loud noise. Boisterous, sad, sweet, goofy, glorious and angelic. Any which way you look at it this stuff gets your attention. Whether it's the crazy tight three part harmony, the killer backup playing, the stories, the passion or the compassion, it gets your attention.
The songs are mostly self-penned, weaving vivid images, powerful lyrics, musical integrity and "chops" to write home about. The core of the band is held by the three singers: Nancy Josephson, Aly Paige and Kathleen Weber. All are experienced on lead and backup vocals. The love of the sound that three female voices make together is at the center of this group. The chord rules the day. Both mystical and elemental when the three hit "it" the hair on the back of your neck's gonna stand up. The difficult to pigeonhole sound that emanates from the band roams from old time "mountain" music to contemporary rock and roll influenced originals.
Opening Act: Joy Kills Sorrows
$15 in advance; $17 day of show
http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&pl=&eventId=3034164
Meets every 3rd Wed. of the month
Two Massachusetts artists present an exhibition that demonstrates the potential of structure-based freedom. Catherine Carter’s web-like networks, extruded as fluid paint through squeeze-bottles and rooted in the configurations of hand-writing, imply energetic movement and impressionistic forms. Jeanne Williamson’s grid-based compositions derive from architectural elements – both in spirit, as the artist is inspired by views of building facades under construction, and literally, as she uses lengths of orange construction fencing as a template to print through. Together, their work goes beyond its organized framework with twisting lines, bouncing shapes and glowing colors.
www.JeanneWilliamson.com
www.CatherineCarterArt.com
Image above:
Left: Catherine Carter, “Wave 3,” acrylic on paper, 30” x 22”, 2009.
Right: Jeanne Williamson, “Orange Construction Fence Series #70,” mixed media on fabric, 43” x 33.5", 2009.
Fundraiser for Avon Cancer Walk
$10 at door
About the photographs:
The creation of this series of photographs began ( innocently-enough ) with a picture of cut daffodils, just beginning to open, in a vase in the photographer’s kitchen. A week later, the fading bouquet was bundled with an elastic bow and tossed out into the cold on a glass-topped patio table. As the flowers deteriorated, more pictures were made as time, light, and weather conditions affected the daffodils over the next six weeks, resulting an a wide variety of images.
About the photographer:
Jack Foley, 55, grew up in North Andover, Massachusetts. At age six, he was given an old box camera as a toy, and has been playing with cameras ever since. He is a staff photographer for The Herald News, a daily newspaper in Fall River, Massachusetts. He has been a newspaper photographer for more than 30 years. He and his wife, D.J., live in Warwick, R.I.
$20 in advance; $23 day of show
http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&pl=&eventId=3003404
Seatings at 12 & 2pm
$20
His true identify remains a mystery, despite his surfacing in Canada in the 1970s. He's mastered the old-timey sound with his unique voice and strumming. You may have seen him on Saturday Night Live years ago, the Tonight Show or elsewhere. His last show at the Narrows sold out quickly.
Opening Act: Smokin Joe Holden
$26 in advance; $29 day of show
http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&pl=&eventId=1967674
For over 20 years, Greg has been at the forefront of the singer songwriter movement. He’s a an American treasure melding blues, folk, and jazz into his own unique sound.
Opening Act: Jason Wilbur
$28 in advance; $31 day of show
http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&pl=&eventId=2961094
No Cover
featuring work by Cynthia Swanson, Sand T, Hannah Verlin
All forms of art-making embrace the word linear – it is an essential element of visual language. Words such as logic, perception, and thinking seem to be a perfect mate to our notions of line. Terms like value, shape, form, edge, and contour provide the structure through which we can evaluate and interpret art forms and are elemental to our understanding of line.
Two- and three-dimensional works of art share ideas about line albeit in somewhat different ways. Both exist in time and space, can be viewed from various vantage points – but sculpture unlike drawing cannot be seen in its entirety at any given time. What one knows from one vantage point may not be perceived from in the same way from another.
Materiality plays an important role in the works in this exhibition. It serves to reveal aspects of line, place, time, and space. Whether temporal or permanent, metaphoric or objective, each artist carries these ideas and forms into her works.
Swanson holds a Master of Fine Arts in Sculpture from Tyler School of Art at Temple University, Philadelphia, PA and Bachelors of Fine Arts from Virginia Commonwealth University, Richmond, VA. She recently co-authored along with J. Barton, and D. Sawyer, They Want to Learn How to Think: Using Art to Enhance Comprehension, Language Arts, 85(2), 125-132. Recent exhibition include Eclectic Abstraction, Spirol Gallery, Quinebaug Valley Community College, Danielson,CT; Paper Dialectics, The Art Gallery, Kent State University, Trumbull Campus, Warren, OH; Talking Papers, Mazmanian Gallery, Framingham State College, Framingham, MA; Elusive Geometries, Chazan Gallery, Wheeler School, Providence, RI.
Sand T earned a Master of Fine Arts degree from Tufts University and the Museum School. Awards include the 2009 New England Art Awards awarded by the New England Journal of Aesthetic Research in February 2010; an Exceptional Work Award from TLGUTS in June 2009, a Solo Exhibition Award by Caladan Gallery in May 2009; a First Place award given by Nicholas Capasso, curator of the DeCordova Museum and Sculpture Park for her submission to a juried show at Clark University in November 2007. Sand T’s work resides in public and private art collections world-wide. Her works have recently been added to the permanent collection of the National Art Gallery in Kuala Lumpur, Malaysia. She operated artSPACE@16 in Malden and S.T Gallery in Boston's Fort Point district from 1998-2008. Her artSPACE@16 gallery was awarded The Best Of Boston ® Home Award 2008 by Boston Magazine, and voted Best Art Gallery for A-List 2007 conducted by WBZ-TV and CityVoter in Boston.
Hannah Verlin received a Bachelor of Fine Arts from School of the Museum of Fine Arts, Boston, MA in affiliation with Tufts University, Medford, MA.Recent exhibitions include Transformers, Boston Sculptors Gallery, Boston, MA; Interstitial, Boston Sculptors Gallery, Boston, MA; Artist Residency Exhibition, Ferencvarosi Gallery, Budapest, Hungary; Brookline First Light, Brookline, MA; and Artist Residency Exhibition, Mucius Gallery, Budapest, Hungary. She is a member of Boston Sculptors Gallery, Boston, MA and was recently in the International Artist in Residence Program, Hungarian Multicultural Center, Budapest, Hungary, July-August 2008.
featuring work by Cynthia Swanson, Sand T, Hannah Verlin
All forms of art-making embrace the word linear – it is an essential element of visual language. Words such as logic, perception, and thinking seem to be a perfect mate to our notions of line. Terms like value, shape, form, edge, and contour provide the structure through which we can evaluate and interpret art forms and are elemental to our understanding of line.
Two- and three-dimensional works of art share ideas about line albeit in somewhat different ways. Both exist in time and space, can be viewed from various vantage points – but sculpture unlike drawing cannot be seen in its entirety at any given time. What one knows from one vantage point may not be perceived from in the same way from another.
Materiality plays an important role in the works in this exhibition. It serves to reveal aspects of line, place, time, and space. Whether temporal or permanent, metaphoric or objective, each artist carries these ideas and forms into her works.
Swanson holds a Master of Fine Arts in Sculpture from Tyler School of Art at Temple University, Philadelphia, PA and Bachelors of Fine Arts from Virginia Commonwealth University, Richmond, VA. She recently co-authored along with J. Barton, and D. Sawyer, They Want to Learn How to Think: Using Art to Enhance Comprehension, Language Arts, 85(2), 125-132. Recent exhibition include Eclectic Abstraction, Spirol Gallery, Quinebaug Valley Community College, Danielson,CT; Paper Dialectics, The Art Gallery, Kent State University, Trumbull Campus, Warren, OH; Talking Papers, Mazmanian Gallery, Framingham State College, Framingham, MA; Elusive Geometries, Chazan Gallery, Wheeler School, Providence, RI.
Sand T earned a Master of Fine Arts degree from Tufts University and the Museum School. Awards include the 2009 New England Art Awards awarded by the New England Journal of Aesthetic Research in February 2010; an Exceptional Work Award from TLGUTS in June 2009, a Solo Exhibition Award by Caladan Gallery in May 2009; a First Place award given by Nicholas Capasso, curator of the DeCordova Museum and Sculpture Park for her submission to a juried show at Clark University in November 2007. Sand T’s work resides in public and private art collections world-wide. Her works have recently been added to the permanent collection of the National Art Gallery in Kuala Lumpur, Malaysia. She operated artSPACE@16 in Malden and S.T Gallery in Boston's Fort Point district from 1998-2008. Her artSPACE@16 gallery was awarded The Best Of Boston ® Home Award 2008 by Boston Magazine, and voted Best Art Gallery for A-List 2007 conducted by WBZ-TV and CityVoter in Boston.
Hannah Verlin received a Bachelor of Fine Arts from School of the Museum of Fine Arts, Boston, MA in affiliation with Tufts University, Medford, MA.Recent exhibitions include Transformers, Boston Sculptors Gallery, Boston, MA; Interstitial, Boston Sculptors Gallery, Boston, MA; Artist Residency Exhibition, Ferencvarosi Gallery, Budapest, Hungary; Brookline First Light, Brookline, MA; and Artist Residency Exhibition, Mucius Gallery, Budapest, Hungary. She is a member of Boston Sculptors Gallery, Boston, MA and was recently in the International Artist in Residence Program, Hungarian Multicultural Center, Budapest, Hungary, July-August 2008.
Th. 7:30pm; Fri. & Sat. 8pm; Sun. 2pm
Bill Frisell has collaborated with artists as diverse as Elvis Costello, Bono, T-Bone Burnett, Paul Simon, McCoy Tyner, Ornette Coleman, Brian Eno, Ry Cooder and many more - a testament to his virtuosity as a guitarist, bandleader and composer.
Grammy winner and two-time nominee including a 2009 nomination for Best Jazz Instrumental Album. 8-time Best Guitarist winner in the DOWNBEAT Critics Poll (including 2009) and three-time DOWNBEAT Readers Poll winner for Best Guitarist.
$25 in advance; $28 day of show
http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&pl=&eventId=579945
No Cover
$22 in advance; $25 day of show
http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&pl=&eventId=621305
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